Arte Santander ’14 Project – Spatial Distribution

Archaeology of a Landscape

Fragmentation = Encapsulation in the same work of different moments, different states, different lights, different sensations
Point of view = Low, to highlight the monumentality; high, to highlight magnificence; middle, natural
Stratification = Differentiation through planes at different level, the states and moments of landscape (The same way as the Archaeology keeps uncovering different strata of a field looking for different epochs, using the stratification to delimit the different moments, sensations, suggestions, impressions, realities, memories.
Cinematographical terms (foreground, background, long-shot, to define the present, the past and the future)
Diagonals
Perspective
Vertical strips
Horizontal extensions

Digital impression
Acrylic paint in its different states of pastiness or dilution
Tempera
Lacquers or transparent colours
Chinese ink
Materials of the landscape (leaves, sticks…)
Supports: Hanne mule paper, paper for print making, onion paper, acetates and other planar surfaces.

Transparencies = superposition of reality over memories
Focus and Out of focus = Perception of temporary neatness and subjective of the term, through more or less out of focus.
Complementary:

Real light – investment of light (positive and negative, like change of condition, of stratum, of moment)
Natural colour – Complementary colours (Utilising the opposite or complementary vision of colour to emphasize the temporary difference)

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